{"id":2332,"date":"2025-12-21T00:05:45","date_gmt":"2025-12-21T00:05:45","guid":{"rendered":"https:\/\/user19.delovna.finki.ukim.mk\/?page_id=2332"},"modified":"2026-02-11T22:18:40","modified_gmt":"2026-02-11T22:18:40","slug":"%d0%bd%d0%b0%d1%80%d0%be%d0%b4%d0%b5%d0%bd-%d0%bf%d1%80%d0%b0%d1%82%d0%b5%d0%bd%d0%b8%d0%ba","status":"publish","type":"page","link":"https:\/\/user19.delovna.finki.ukim.mk\/en\/%d0%bd%d0%b0%d1%80%d0%be%d0%b4%d0%b5%d0%bd-%d0%bf%d1%80%d0%b0%d1%82%d0%b5%d0%bd%d0%b8%d0%ba\/","title":{"rendered":"Member of Parliament"},"content":{"rendered":"
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\u043f\u0440\u0430\u0442\u0435\u043d\u0438\u043a\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Member of Parliament<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Branislav Nushikj<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Director:<\/span>\u00a0<\/strong>Egon Savin
<\/span>Set Designer:\u00a0<\/strong>Vesna Popovikj
Costume Designer:<\/strong>\u00a0Roza Trajchevska-Ristoska
Executive Producers:\u00a0<\/strong>Simona Ugrinovska and Viktor Ruben
Translation:\u00a0<\/strong>Zagorka Pop-Antoska Andovska
Dialect adaptation of text:<\/strong>\u00a0Tomislav Osmanli
Assistant Director:\u00a0<\/strong>Shenaj Mandak
Music Selection:<\/strong>\u00a0Egon Savin
<\/span>Premiere Performance:<\/span><\/strong>\u00a0Saturday, 25th of January 2025
<\/span>Duration:<\/span><\/strong>\u00a075 minutes
<\/span>Intermission:<\/span><\/strong>\u00a0No
<\/span>Stage:<\/span><\/strong>\u00a0Small Stage<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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To the dramatic text \"Member of Parliament\" by Branislav Nu\u0161i\u0107<\/strong><\/div>


The drama \"Member of Parliament,\" written in 1883 as the first comedy by the then young, nineteen-year-old Branislav Nu\u0161i\u0107, waited more than a decade for its premiere, traveling from the director of the National Theater to reviewers, and even to the police, and back, encountering disapproval due to the alleged \"mockery of the fighters for parliamentarism.\" Although the reviewers spoke positively about the drama, the ruling politicians, as well as King Alexander Obrenovi\u0107, had a series of remarks regarding Nu\u0161i\u0107's manuscript, so this authorial text underwent many changes before its final production on the stage of the National Theater in 1896, to the general delight of the audience. The printed edition appeared only in 1924, more than forty years after it was written.
As the years passed, political circumstances changed, but what has not changed and remains unchanged even to this day is the mentality of the \"little man,\" which Nu\u0161i\u0107 brilliantly portrays, making the work \"Member of Parliament\" an eternal depiction of provincial mentality and atmosphere during parliamentary elections.
Nu\u0161i\u0107 masterfully shapes the plot around the ambition of the father, Jevrem Proki\u0107, and his son-in-law, the lawyer Ivkovi\u0107, to run for Member of Parliament at the same time\u2014one representing the ruling party and the other the opposition. Thus, the conflict is set within the family, providing serious dramatic potential for a hilarious comedy, especially when the petty ambitions of the extended family and the provincial town become intertwined in the story. \"Member of Parliament\" is a play that strongly criticizes human greed for personal gain, the fickle and immoral mentality of the province, political illiteracy, electoral corruption, false parliamentarism, hierarchical subordination, the dissoluteness of public officials, as well as the deepest abysses of the human psyche of an individual who has decided to come to power at any cost.
Nu\u0161i\u0107 is a writer of the ordinary man and for the ordinary man. With his light comicality\u2014seemingly harmlessly witty, and almost never cynical or satirical\u2014his works, starting with his debut \"Member of Parliament,\" have been making audiences laugh for more than a century, while with that same ease, they expose the \"donkey ears\" of each of us, in all sorts of social circumstances, especially during pre-election periods.
The timelessness of the characters and plots of Branislav Nu\u0161i\u0107 makes him a timeless, immortal contemporary of all generations, never boring, and always a relevant finger pointed at the temple of the ordinary man.<\/p>


Zagorka Pop-Antoska Andovska<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Cast<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jevrem Prokikj<\/strong>\u00a0–<\/strong>\u00a0Aleksandar Miki\u0107
Danica - his daughter<\/strong>\u00a0Darja Rizova
\u0421\u0440\u0435\u0442\u0430 –<\/strong>\u00a0Toni Mihajlovski
Spiro, Jevrem's brother-in-law \u2013<\/strong>\u00a0Jordan Simonov
Spirojca -<\/strong>\u00a0Tanja Kochovska
Ivkovikj<\/strong>\u00a0- Aleksandar Mihajlovski (recorded voice)
People<\/strong>\u00a0- Dejan Stamchevski, Sinan Rakip, Skender Berisha, Zekirija Alim, Miroslav Atanasovski, Martin Kitanovski and Husein Halili<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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CREATIVE AND TECHNICAL TEAM<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Set Designer:<\/strong>\u00a0Vesna Popovikj
Costume Designer:<\/strong>\u00a0Roza Trajchevska-Ristoska
Executive Producers:<\/strong>\u00a0Simona Ugrinovska and Viktor Ruben
Translation:<\/strong>\u00a0Zagorka Pop-Antoska Andovska
Dialect adaptation of text:<\/strong>\u00a0Tomislav Osmanli
Assistant Director:<\/strong>\u00a0Shenaj Mandak
Music Selection:<\/strong>\u00a0Egon Savin
Stage manager:<\/strong>\u00a0Vukica Aleksandrova
Prompter:<\/strong>\u00a0Miroslav Atanasovski
Proofreader:<\/strong>\u00a0Todorka Balova
Head of Marketing:<\/strong>\u00a0Sandra Stojimirova
Head of Finance:<\/strong>\u00a0Kristina Ackovska
Technical Director:<\/strong>\u00a0Gunter Kube
Technical Coordinator:<\/strong>\u00a0Ivica Urdarevi\u0107
Photographer:<\/strong>\u00a0Kire Galevski
Editors of the program catalog:<\/strong>\u00a0Mila Angjelkovikj and Ivana Jarchevska
Poster Designer:<\/strong>\u00a0Zoran Kardula
Program catalog designer:<\/strong>\u00a0Dimitar Dimitrov
Lighting Engineer:<\/strong>\u00a0Daniela Atanasova
Chief Electrician:<\/strong>\u00a0Gorjan Temelkoski
Lighting Technician:<\/strong>\u00a0Kristijan Blazhevski
Sound Designer:<\/strong>\u00a0Aleksandar Petrovski
Props:<\/strong>\u00a0Sonja Krstevska
Wardrobe:<\/strong>\u00a0Valentina Chonkova, Skender Berisha, and Elizabeta Stam\u010devska
Makeup and Hair:<\/strong>\u00a0Branka Pljachkovska\u00a0
Set Decorators:<\/strong>\u00a0Vasil Meshkovski, Dejan Stamchevski, Ned\u017eat Asan, Burhan Muaremi, Martin Kitanovski, Ibrahim Ramanovski, Nerhan Osmanovski, Husein Halili, Zekirija Alim, Durmi\u0161 Sefer, Sinan Rakipovski
Set Construction:<\/strong>\u00a0Tatjana Hristoska (Workshop Manager), Angel Petrovski (Sculptor), Darko Dukovski (Sculptor), Zoran Minovski (Locksmith), and Ilija Nikolovski (Carpenter)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

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